Instruments
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Martin Gabbani’s violin
For the construction of this instrument, the violinmaker respected the original shape of 1937 Ferdinando Garimberti violin, winner of the bicentenary Stradivariano Cremona 1937 and now exhibited at Museo del Violino. The wood of the top is made of two pieces of spruce from Val di Fiemme, very regular and seasoned. The maple used for the back is made of two pieces with a large and very deep curl and a narrow and regular grain. The ribs are obtained by the wood used for the back, and the scroll comes from the same tree. The oil varnish used for this instrument is orange. The chamfers of the scroll, of the heel and of the ribs are matt black painted. Body length: 355 mm Width upper bouts: 169 mm Width “C” bouts: 114 Width lower bouts: 206 mm Woods: maple, spruce, ebony Year: 2021 Martin Gabbani's bio


Pablo Farias’ violin
For the construction of this instrument, the author was inspired by the shape of the violin "Alard" 1742 by Giuseppe Guarneri called "Del Gesù", kept at the Cité de la Musique in Paris, characterizing effe and head for a more personal style. The wood of the top comes from the mountains of the Val di Fiemme in northen Italy and has a grain of medium width but very regular. The maple used for the back comes from the Balkans and it’s a single piece with a medium marbling, regular but very deep that rises slightly from left to right. The ribs are made from the wood used for the back and the scroll from a similar material. Body length: 353 mm. Width upper bouts: 168 mm. Width "C" bouts: 114. Width lower bouts: 208 mm. Pablo Farias' bio


Stefano Conia’s violin
For the realization of this instrument Master Conia wanted to respect the original Stradivari model, customizing some parts: the camber, the “ff” and the thickness, thanks to the great experience of 50 years of work. The wood used is red spruce, inherited from his father more than 30 years ago, part of his personal collection. The top is in two pieces of well seasoned spruce with a medium, regular grain. The back is one piece with a deep, regular flame. The ribs are in the same wood of the back. The scroll has a downward flame. The varnish is red-brown, warm, soft, and a little faded. The edges are lighter. Body length: 355 mm. Width upper bouts: 164 mm. Width "C" bouts: 116. Width lower bouts: 206 mm. Conia is particularly attached to the "Stradivari 1715" model because it was the first model he made in the early years of his life as a luthier. Stefano Conia's bio


Andrea Varazzani’s violin
Another rightly celebrated violin, the “Lord Wilton” was ranked among del Gesù’s great masterpieces by the Hills in 1931 and has been in the possession of Yehudi Menuhin, now Lord Menuhin, since 1978. The outline is broader in the lower bouts than previous models, emphasized by the flattened appearance at the upper and lower extremes, across the end blocks, a characteristic the “Lord Wilton” shares with other instruments from the same period, the “Alard” (1742) and the “Cannon” (1743). There is great freedom and vitality in the broad curves of this pattern, as well as an imposing breadth and presence. The particularly pinched corners and deeply worked edges are also a feature of Guarneri’s work at that time. Body length: 355 mm. Width upper bouts: 169 mm. Width "C" bouts: 114. Width lower bouts: 208 mm. Andrea Varazzani's bio
Certificate of autenticity
Each instrument with the trademark "Cremona Liuteria" is accompanied with a Certificate of Authenticity and Origin issued exclusively by the Consortium of Violinmakers "A.Stradivari" Cremona. In order to have a confirmation of the existence of the Certificate of Authenticity and Origin and to receive information about the master violinmaker and the instrument, please send an email to info@cremonaviolins.com : it will soon be online a form for the request of the data collected in the certificate.
Certificate of autenticity
Tutti gli strumenti a “marchio Cremona Liuteria” sono accompagnati da un Certificato di Origine e Autenticità rilasciato esclusivamente dal Consorzio Liutai “A. Stradivari” di Cremona.
Each instrument with the trademark "Cremona Liuteria" is accompanied with a Certificate of Authenticity and Origin issued exclusively by the Consortium of Violinmakers "A.Stradivari" Cremona. In order to have a confirmation of the existence of the Certificate of Authenticity and Origin and to receive information about the master violinmaker and the instrument, please send an email to info@cremonaviolins.com : it will soon be online a form for the request of the data collected in the certificate.
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