Instruments
Admire the violins, thanks to technology we've shorten distances, you can look at the instruments , roteate them, enlarge them and appreciate all the details, as if you were in front of the instrument, we bridge new distances thanks to technology, passion and emotion that music can convey


Luca Bastiani’s violin
For the construction of this instrument, the violinmaker used an Antonio Stradivari 1716 model. The wood of the top is made of two pieces of spruce from Val di Fiemme, with regular grain. The back is made of a single piece with a deep curl and a thick grain. The ribs and the head are also made from Balkan maple. All the woods used for the construction of this violin, even inside, are very seasoned. The oil varnish used for this violin is reddish brown. Body length: 355 mm. Width upper bouts: 169 mm. Width "C" bouts: 113. Width lower bouts: 210 mm. Luca Bastiani's bio
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Pablo Farias’ violin
For the construction of this instrument, the author was inspired by the shape of the violin "Alard" 1742 by Giuseppe Guarneri called "Del Gesù", kept at the Cité de la Musique in Paris, characterizing effe and head for a more personal style. The wood of the top comes from the mountains of the Val di Fiemme in northen Italy and has a grain of medium width but very regular. The maple used for the back comes from the Balkans and it’s a single piece with a medium marbling, regular but very deep that rises slightly from left to right. The ribs are made from the wood used for the back and the scroll from a similar material. Body length: 353 mm. Width upper bouts: 168 mm. Width "C" bouts: 114. Width lower bouts: 208 mm. Pablo Farias' bio
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Martin Gabbani’s violin
For the construction of this instrument, the violinmaker respected the original shape of 1937 Ferdinando Garimberti violin, winner of the bicentenary Stradivariano Cremona 1937 and now exhibited at Museo del Violino. The wood of the top is made of two pieces of spruce from Val di Fiemme, very regular and seasoned. The maple used for the back is made of two pieces with a large and very deep curl and a narrow and regular grain. The ribs are obtained by the wood used for the back, and the scroll comes from the same tree. The oil varnish used for this instrument is orange. The chamfers of the scroll, of the heel and of the ribs are matt black painted. Body length: 355 mm Width upper bouts: 169 mm Width “C” bouts: 114 Width lower bouts: 206 mm Woods: maple, spruce, ebony Year: 2021 Martin Gabbani's bio


Pablo Farias’ violin
For the construction of this instrument, the author was inspired by the shape of the violin "Alard" 1742 by Giuseppe Guarneri called "Del Gesù", kept at the Cité de la Musique in Paris, characterizing effe and head for a more personal style. The wood of the top comes from the mountains of the Val di Fiemme in northen Italy and has a grain of medium width but very regular. The maple used for the back comes from the Balkans and it’s a single piece with a medium marbling, regular but very deep that rises slightly from left to right. The ribs are made from the wood used for the back and the scroll from a similar material. Body length: 353 mm. Width upper bouts: 168 mm. Width "C" bouts: 114. Width lower bouts: 208 mm. Pablo Farias' bio
Certificate of autenticity
Each instrument with the trademark "Cremona Liuteria" is accompanied with a Certificate of Authenticity and Origin issued exclusively by the Consortium of Violinmakers "A.Stradivari" Cremona. In order to have a confirmation of the existence of the Certificate of Authenticity and Origin and to receive information about the master violinmaker and the instrument, please send an email to info@cremonaviolins.com : it will soon be online a form for the request of the data collected in the certificate.
Certificate of autenticity
Tutti gli strumenti a “marchio Cremona Liuteria” sono accompagnati da un Certificato di Origine e Autenticità rilasciato esclusivamente dal Consorzio Liutai “A. Stradivari” di Cremona.
Each instrument with the trademark "Cremona Liuteria" is accompanied with a Certificate of Authenticity and Origin issued exclusively by the Consortium of Violinmakers "A.Stradivari" Cremona. In order to have a confirmation of the existence of the Certificate of Authenticity and Origin and to receive information about the master violinmaker and the instrument, please send an email to info@cremonaviolins.com : it will soon be online a form for the request of the data collected in the certificate.
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